Life In Miniature

A little while back, I saw three beautiful little frames at a car boot sale. Although they were small, the width of the frames was around three inches, and the finish was battered gold. As the stall holder only wanted a couple of pounds for them, and they were in excellent condition, it would be foolish to pass them by. The high cost of frames has prompted me to keep a lookout for second hand frames at such venues, although if frames are in a car boot, there's usually something wrong with them, but these were good.


This last week, I've done a couple of miniatures to fit the frames. Well, I say miniatures - the maximum picture size I could get away with in these is 14x8.5cm, which is the smallest that I have ever painted! Using small brushes is a must with paper this size, and I have to say really quite alien to me - I like nice big brushes usually.


The first painting was a simple landscape and I was fairly pleased with it, but I'll have to do it again, because in my rush to get it into one of those frames, a major faux pas occurred! I had cut the mount, which fitted perfectly, but on cutting the backing board, I hadn't noticed that my painting was underneath it. You guessed it, my lovely painting sliced in two! Bagger, what a plonker!


Any way, it might have done me a good turn, as some of the finer lines did look a bit chunky and I would never have been completely at ease with it.


The painting above is of a terrace in Bath, England. This is the back of a lovely terrace nestling beside a river - I knew instantly that it would be a good subject for a painting, though I would never have guessed such a small one at the time. Using pen and watercolour wash, I've completely ignored the lines in many places. The actual buildings were all shades of grey, but this would have looked a bit dull, so I added light tones of reflected colour liberally in places. The sky took on a mind of its own, as the French ultramarine I used ran back on itself, making branching patterns so typical of this colour. I'll leave you the viewer to judge whether this is a good or bad thing.

Bath, England

Bath, Somerset
Oil Pastel and ink pen on Bristol Board A3

It's been a while since I posted here I know, but I have been busy on a large project, which I'll tell you about some other time.


On a trip to Bath in Somerset recently, I was just in awe of the abundance of Romanesque architecture on every street. Our trip was fleeting, but we have promised ourselves to go back again and spend some more time there, just to try to take everything in.

This is my first foray into oil pastels, and I have to say that it is a very exciting medium. I've tried to keep my work quick and spontaneous, starting first with an ink sketch. Some of the scale is a little adrift, but I just wanted to get the general shapes of the figures and buildings rather than being too accurate.

There are 36 colours in this box, and they are a joy to use, even more so, as I picked the box up second hand at our local car boot sale last weekend for £2 - what a bargain. I think that £2 is going to give me a lot of pleasure!